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Dance Star Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I'm Not Precious About My Body'

Within the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is naturally straight-backed, his arms defined beneath a plain tee. On stage, dancers can seem as mighty gods, yet frequently in person they are petite. Not so Ball, whose height is part of his demand for princely characters and partnering. With fine features and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he encountered little teasing for his early passion in ballet. Joining the Royal Ballet School at 11, he graduated directly into the company and was advanced each year, attaining the highest position of principal in 2018. He has loved taking on meaty characters, especially the psychological angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His next starring appearance is as himself, in an "In Conversation" event designed to offer intimate insights into a performer's art. He will walk the audience through a part, showing his cognitive process during execution. Even in lighter ballets, the challenge is significant. "Don Quixote is one of the most demanding from a skill perspective," he states.

The Psychological Game and After the Show Emotions

What about following a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, frequently I do feel self-conscious later. Following an intense role I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a dance maker previously remarked on a "sense of suffering in him." Is there? "I'm quite energetic usually, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Drivers and Creative Inspirations

His determination originated in youthful setbacks. Not doing well in competitions at school made him "driven!" It was fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

The next endeavor is making his own dance works. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from literature, compositions, and art.

Close-Up Dance and Private Dynamic

He additionally favors staging dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t usually matched on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Perception

On Instagram, followers can see videos from his dance films and photos that highlight a sculpted physique. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his younger self as "eager for success." Did it met his expectations? "I feel very aware of how life is a separate reality to the dreams you had as a young person," he muses. He likely has about decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

About the author

Patrick Wright

Elena Moss is a seasoned online gaming analyst with over a decade of experience in the iGaming industry.

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